No, we can't say when we're going to re-open. Please don't ask.

The short version

Speculative fiction. That means anything not mundane: fantasy; science fiction; horror; weird fiction; magical realism; etc. Complete novels of 40K + words, or short story collections to be considered for print publication.

We are also interested in exploring the potential of short fiction that falls somewhere between the short story and the traditional novel; novelettes, long-short fiction, whatever you want to call it, we’d like to read it. 

Works of 3-40K words will be considered for our range of ebooks, giving writers a chance to place their works that are too long for journals but too short for traditional book-length publication.

More detail can be found below the submission form.


We’re interested in science fiction, fantasy, horror, slipstream, punk (cyber or otherwise), weird, dark, comedy, satire and anything else that falls somewhere between any or all of those. We get genres are useful, but we also know writers are more worried about their stories than the labels. Don’t worry, we find it hard to classify the best works too.

Have you noticed how post-apocalyptic stories veer into fantasy a lot, when they're technically science fiction or speculative fiction? Or how epic fantasy has parallels with historical fiction? Or when horror is actually embedded in emotion and catharsis, how ghost stories are literary exorcisms of grief and guilt? That.

Maybe it’s a caustic commentary on city living told from the perspective of some anthropomorphised council flats. It might be a new colony world on the frontier. Maybe it’s a surreal far-future paranoia where the human race is dissolving into its own technology. Perhaps it's the ancient races giving way to man as magic passes into myth. Maybe it’s a fantastical story about colonialism told by butterflies and moths in the land of Flutter. It might just be that simple ghost story that chills your spine on a crowded train on a mid-summer morning.

Whatever it is, if it’s beautifully written you’ll get our attention. If it makes us look at the world we live in with a fresh perspective, so much the better.

Please DO NOT send us straight historical fiction or literary fiction – not that we don't like it or read it, but at Unsung we're interested in publishing the weird and speculative. 

Films and books that we love include:

  • Bulgakov's The Master and Margarita
  • Ursula le Guin - Especially The Dispossessed and Tehanu
  • Neil Gaiman - Especially The Sandman
  • Daphne Du Maurier's Rebecca
  • Philip K Dick - Especially Ubik and The Three Stigmata of Palmer Eldritch
  • Iain (M) Banks - Especially The Player of Games, The Crow Road and Excession
  • Alan Moore - Especially The Ballad of Halo Jones and Voice of the Fire
  • Octavia Butler
  • M John Harrison - Especially Light and The Course of the Heart
  • John Kennedy Toole’s A Confederacy of Dunces
  • DBC Pierre’s Vernon God Little
  • Studio Ghibli - Especially Spirited Away, My Neighbour Totoro and Nausicaa
  • Roger Zelazny - Especially The Amber Chronicles
  • Douglas Adams
  • Luigi Serafini’s Codex Seraphinianus
  • Esther Friesner’s Brown Dust
  • Robert Reed’s Floating Over Time
  • David D. Levine’s Babel Probe
  • Kubrick’s 2001 and Glazer's Under The Skin
  • Krzysztof Kieślowski’s The Double Life of Veronique
  • Leon Carax’s Holy Motors
  • Park Chan-wook - Especially Oldboy, I’m A Cyborg… and Stoker
  • Andrei Tarkovsky
  • Richard Linklater’s A Scanner Darkly
  • Rian Johnson’s Brick and The Brothers Bloom
  • Shane Carruth’s Primer

Incidentally, these are also all excellent so you should do yourself a favour and catch them all anyway.


None of these are essential. The thing about genius is it's normally unexpected. We do like these things though.

  1. Stories written because they felt right to you, with no particular market segment in mind.

  2. Ambitious books and a disregard for convention.

  3. Work that challenges the reader to reassess their world. This doesn't mean Joycean complexity or prolix labyrinths, mind. 1984 or The Wire are obvious examples. Something that makes you think again.

  4. Caustic or dry humour. And black humour. And silly humour and cheap puns. And shaggy dog stories. And dad jokes. And sarcasm.

  5. Credible and empathetic takes on atypical/unusual or underrepresented protagonists, such as:
  • Normal looking, even ugly people - have you ever noticed how many protagonists are beautiful, or if not are grizzled, muscular and scarred? Now take a look at the next 50 people you see in the street.
  • Women (note this does not mean some big-titted warrior man-cypher. You know you can do better than that).
  • The LGBT community.
  • Those coping with mental health conditions.
  • Homeless people, and other socially or economically disadvantaged groups
  • Migrant, international and diaspora communities
  • Kerouac’s mad ones: ‘The ones who are mad to live, mad to talk, mad to be saved, desirous of everything at the same time, the ones who never yawn or say a commonplace thing, but burn, burn, burn like fabulous yellow roman candles exploding like spiders across the stars.’ Them.


The simplest way to describe this is: derivative fiction. If it’s exactly like something already out there, that’s a turn-off.

Here are a few specific examples.

  1. Dan Brown.
  2. Erotica. Sex, all good. Eroticism in the story, fine with us. Gratuitous kinkiness in the place of substance, not fine.
  3. Dan Brown. There's a serious point here. Have a think about how he writes and why it isn't for us.
  4. Predictable genre fiction. So a book about moody vampire teenagers called Twiglet won't fly. You can lay off the all-powerful tings that need to be thrown in the forge they were made in as well.

Pitches and promissory notes with fragments and incomplete books aren't for us. No writer ever nailed a book on their first draft, so if you're still writing it you've got some way to go before you should be submitting it. Chin up, we're not being mean; we're saving you the disappointment of a rejection.

I still have questions!

Have you read all of this? Be honest now. Are you planning on sending us a submission? Check if we're open at the top of the page: if we are send it over; if we're not, don't send us one. We won't read it.

Don't ask when we're re-opening submissions. We'll announce when we do.

If it's about anything else, email us: submissions@unsungstories.co.uk

Our favourite kinds of question are stupid questions and obvious questions. They're normally the hardest to answer.